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Buena Vista Social Club
Cuban musical ensemble
For other uses, see Buena Vista Social Club (disambiguation).
Buena Vista Social Club was a musical ensemble primarily made up of Cuban musicians, formed in The project was organized by World Circuit executive Nick Gold, produced by American guitarist Ry Cooder and directed by Juan de Marcos González. They named the group after the members' club of the same name in the Buenavista quarter of Havana, a popular music venue in the s. To showcase the popular styles of the time, such as son, bolero and danzón, they recruited a dozen veteran musicians, some of whom had been retired for many years.
The group's eponymous studio album was recorded in March and released in September , quickly becoming an international success, which prompted the ensemble to perform with a full line-up in Amsterdam and New York in German director Wim Wenders captured the performance on film for a documentary—also called Buena Vista Social Club—that included interviews with the musicians conducted in Havana. Wenders' film was released in June to critical acclaim, receiving an Academy Award nomination for Best Documentary feature and winning numerous accolades including Best Documentary at the European Film Awards. This was followed up by a second do
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Buena Scene Social Club: Buena Prospect Social Baton At Altruist Hall
Buena Vista Community Club gift wrap Carnegie Passage
World Circuit
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Backstage at the Chicago Theater’s security office, Teresita Garcia is trying to use the phone. She’s in Chicago with the Afro-Cuban All-Stars and she’s trying to call some friends who live in town to come down for the show. Garcia dials but a machine unexpectedly answers and Garcia, fresh off the island and a little intimidated by the digitalized beep, gets flustered and hands the phone back to John Capps, the guard at the desk.
“Just start talking right away, don’t wait,” says a gentle Capps, as he re-dials for her.
Because Capps doesn’t speak Spanish and Garcia doesn’t speak English, someone translates and they both nod acknowledgement.
Shy, and a little embarrassed too, Garcia-wearing her Afro-Cuban tour jacket and a scarf to hold back her mane of burnt orange hair – finally delivers her message and thanks Capps for his help. Then Capps surprises her.
“I know you, ” he says with a wide, mischievous grin. “I took your picture in Osaka, Japan, back in You were at the Cuban Expo, singing. You were the star. I would have brought it except I wasn’t sure it was really you.”
Garcia, now hanging out with Amadito Valdes the group’s timbales playser, gasps as the translation rolls in.
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