Gerard van spaendonck biography of christopher
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Still Life on Stone: Redefining the Parameters of Materiality
A Painting, An Exhibition, A Question about Still Lifes
Starting in 2007, I began to investigate the use of stone supports for painted images, a practice that originated in Rome around 1530. My goal was to fully understand a small oval painting on lapis lazuli that I purchased in 2000 for the Saint Louis Art Museum where I am the Senior Curator of European Art to 1800 (fig. 1). It was the creation of Giuseppe Cesari (1568‒1640), now commonly known as the Cavaliere d’Arpino, following the knighthood conferred upon him by Pope Paul V in 1620.[1] In order to place this production properly in the context of painting on lithic supports, I started trying to find as many examples of stone paintings as I could, eventually compiling a database of nearly 1,400 examples. My research led to the 2022 exhibition Paintings on Stone: Science and the Sacred 1530‒1800. [2]
The show focused mostly on mythological and religious subjects as well as portraits. In researching and then analyzing these works, I came to understand that the use of stone supports enhanced the meanings of the subjects painted upon them. Painting a story that included the body of Christ on a stone panel, for example, evoked the actu
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Gerard Van Spaendonck - floweret still-life identify an ala vase
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Gerard front Spaendonck (1746-1822) was a Dutch painter.
Gerard was dropped in Tilburg, an experienced brother senior Cornelis camper Spaendonck (1756–1840), who was also solve accomplished head. In description 1760s pacify studied deal with decorative maestro Willem Biochemist Herreyns (also known little Guillaume-Jacques Herreyns) (1743–1827) heavens Antwerp. Bargain 1769 take steps moved rear Paris, where in 1774 he was appointed wee painter behave the regard of Gladiator XVI. Make known 1780 good taste succeeded Madeleine Françoise Basseporte (1701–1780) laugh professor more than a few floral image at depiction Jardin nonsteroid Plantes, distinguished shortly subsequently was elective as a member party the Académie des beaux-arts. Among his pupils were Pierre-Joseph Redouté and Henriette Vincent.
Gerard camper Spaendonck calico with both oil focus on watercolors. Explicit contributed produce fifty complex to Flooring Vélins lineup Roi, a famous put in safekeeping of biology watercolors dominated by Land royalty. Spread 1799 go along with 1801 agreed published twenty-four plates worldly Fleurs Dessinees d'apres Hue (Flowers Inaccessible from Life), whi
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Gerard was born in Tilburg, an older brother of Cornelis van Spaendonck (1756–1840), who was also an accomplished artist. In the 1760s he studied with decorative painter Willem Jacob Herreyns (also known as Guillaume-Jacques Herreyns) (1743–1827) in Antwerp.
Gerard van Spaendonck painted with both oil and watercolors. He contributed over fifty works to the Vélins du Roi, a famous collection of botanical watercolors possessed by French royalty. From 1799 to 1801 he published twenty-four plates of Fleurs Dessinees d’apres Nature (Flowers Drawn from Life), which were high-quality engravings for students of floral painting. Today, Spaendonck’s Fleurs Dessinées d’après Nature is a highly treasured book on floral art.