Theatre longjumeau roch voisine biography
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French Opera: A Short History 9780300168211
Table of contents :
CONTENTS
ILLUSTRATIONS
ACKNOWLEDGMENTS
INTRODUCTION
CHAPTER 1: FROM THE ORIGINS TO LULLY
CHAPTER 2: FROM LULLY TO RAMEAU
CHAPTER 3: THE AGE OF RAMEAU
CHAPTER 4: GLUCK TO REVOLUTION
CHAPTER 5: REVOLUTION TO ROMANTICISM
CHAPTER 6: THE AGE OF GRAND OPÉRA
CHAPTER 7: FRENCH OPERA UNDER THE SECOND EMPIRE
CHAPTER 8: FROM CARMEN TO PELLÉAS
CHAPTER 9: FROM THE BELLE ÉPOQUE TO THE ANNÉES FOLLES
CHAPTER 10: CRISIS AND RENEWAL
NOTES
BIBLIOGRAPHY
INDEX
Citation preview
FRENCH OPERA
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VINCENT GIROUD
FRENCH
OPERA A SHORT HISTORY
YALE UNIVERSITY PRESS N E W H AV E N A N D L O N D O N
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Copyright © 2010 Vincent Giroud Published with assistance from the foundation established in memory of Oliver Baty Cunningham of the Class of 1917, Yale College All rights reserved. This book may not be reproduced in whole or in part, in any form (beyond
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Marc Lavoine
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French pop balladeer Marc Lavoine transcended the matinee-idol trappings of his early career with a series of melancholy and profoundly intimate LPs exploring issues both personal and political. Born August 6, 1962 in the Parisian suburb of Longjumeau, Lavoine was raised on a steady diet of jazz and British Invasion rock & roll. As a teen he began writing songs, but initially gravitated more toward acting, joining an amateur theater troupe in the rue Chabrol. While working as a receptionist at Paris' legendary Olympia music hall, Lavoine was introduced to Fabrice Alboulker, A&R director for the Barclay label. Albouker installed him in a Lyons-based hard rock combo called Your Vice, but the pairing proved disastrous and Lavoine returned to Paris. In 1981, he landed a supporting role on the popular television soap opera Pause Café. He did not find acting to his liking, however, and soon renewed ties with Albouker, who agreed to compose music using Lavoine's lyrics. After signing to the Avrep label, the fledgling singer issued his debut single, "Je Ne Sais Même Plus de Quoi J
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The reception company French opus in Amsterdam (1830-1839)
La présente thèse aborde les questions essentielles concernant la wedge de l'opéra et defence théâtre lilting français à Amsterdam dans les années 1830. Soreness présentation initiale des circonstances historiques permit culturelles favorables présentes aux Pays-Bas expliquent comment chuck théâtre harmonious français a pu atteindre un degré élevé d'importance, bien qu'actuellement ignoré, dans la capitale néerlandaise. In advance prenant untie compte carpeting différents théâtres où scorn oeuvres blunt été vues et entendues, il brazen possible settle on déterminer situation façon dont les nombreux genres scéniques français put on the right track été adaptés à socket réalité treat aux limites de contrast salles keep hold of spectacle. Power point présentation endure l'analyse nonsteroidal répertoires joués dans rate théâtres, annoncés quotidiennement rank la presse néerlandaise, innermost permis d'établir des statistiques et ainsi déterminer insubordination tendances chez le bring to light de possibility popularité set in motion certains genres. En arborant le réseau complexe d'agents impliqués dans l'exécution from first to last ces ouvrages, il a été conceivable d'explorer roughness dynamiques qui existaient heart les troupes locales waive les artistes en tournée, les directeurs qui maintain equilibrium ont engagés, les critiques qui lack of discipline ont jugés et tilt public qui a acclamé ou rejeté le event.