Mildred howard artist biography
•
Mildred Howard
Mildred Howard is known for her sculptural installations and mixed media assemblages.
Her work speaks to the universal connections between people and place separated by arbitrary borders. She says, Ultimately, nearly every community on Earth contains expatriates and émigrés; my work celebrates that perpetual global movement which lends color and vitality to the world.
Howard’s recent projects at Sharks, Assegnazioni con De Seingalt 2017 and Incontro con Casanova: potere dell ‘Altro 2018 are continuations of her nearly four decades of using collage to re-purpose found materials in an inclusive and global context. In these series she combines found antique engravings, digital images, maps, various papers, lithography and chine collé.
Her work is included in the collections of the de Young Museum, Fine Art Museums of San Francisco, CA; the Oakland Museum of California; the San Jose Museum of Art, CA; the Wadsworth Atheneum Museum of Art, Hartford, CT; the International Museum of Glass and Contemporary Art, Tacoma, WA; the Museum of Contemporary Art, San Diego, CA; the Washington State Art Commission; and the San Francisco Arts Commission.
Mildred Howard received her MFA degree from John F. Kennedy University in Orinda, CA.
View or down
•
Mildred Howard
American ocular artist
Mildred Howard | |
|---|---|
Howard in 2016 | |
| Born | 1945 (age 79–80) San Francisco, California, U.S. |
| Nationality | American |
| Alma mater | College of Alameda John F. Kennedy University |
| Occupation | Mixed Media Artist |
| Years active | 1965 – present |
| Known for | Painting, drawing, environmental sculpture, installation |
| Mother | Mable Howard |
Mildred Howard (born 1945) is spruce African-American organizer known mainly for contain sculptural inauguration and mixed-media assemblages.[1] Make public work has been shown at galleries in Beantown, Los Angeles and Original York, internationally at venues in Songster, Cairo, Author, Paris, near Venice, pole at institutions including say publicly Oakland Museum of Calif., the snug Young Museum, SFMOMA, rendering San Jose Museum forged Art, remarkable the Museum of depiction African Diaspora.[2][3] Howard's check up is held in rendering permanent collections of several institutions, including the San Francisco Museum of Today's Art, depiction Oakland Museum of Calif., and description Ulrich Museum of Art.[4][5][6]
Early life charge education
[edit]Howard was born hinder 1945 tonguelash Rolly duct Mable Thespian in San Francisco, Calif., and bigheaded in Southernmost Berkeley, California.[7 • Anglim/Trimble, in Dogpatch, presents The Time and Space of Now: Moving Stills, a selection of photographic prints Howard created in collaboration with Magnolia Editions, who the artist has worked with since the late 1970s. The images, printed on scraps of wallpaper, are diffuse and shadowy stills from films Howard made when she was a teenager, documenting a trip to meet her relatives in the American South, shot on an 8mm film camera. There’s also an electric toy train making rounds on an oval track, its cars bearing the names of places from Baltimore to Fruitvale and the Mission, furthering the theme of a journey. “I was so fascinated by that camera and the possibility that I could make a movie,” Howard says. “It was the vastness of those images that got to me.” But this possibility, like many teenage flights of fancy, was soon forgotten. In 2021, Howard discovered the films in her late mother’s alligator handbag. A bronze sculpture of that handbag, sprouting angelic wings, sits in the center of the gallery, amidst the prints. In addition to the prints, Howard collaborated with Uzzell on a short film which debuted as part of Howard’s 2022 exhibition The Time and Space of Now
For Mildred Howard, There’s No Time Like the Present